Post by account_disabled on Mar 5, 2024 7:22:57 GMT
Two: create strong logical passages within the text and don't force causes and consequences. Three: Use clear, simple language . Four: no clichés, stereotypes or implications . Five: work on the rhythm of the text and the sound of the words , avoiding falls, friction, dissonance. The text must be a flow. #6. No text is neutral. What is authorship and how much does it matter in the creative writing process? It is the awareness of the power of words to represent portions of the world. To create it. It is the awareness of the ethical aspects of communicating, but also of the ability that a text has in orienting the reader's perception of the world. It's knowing how to dose the power of stories without harming anyone . I recommend you read: Your Story, Your Opportunity .
The reader's approach to the text is influenced by his perceptions, his Brazil Phone Number values, his expectations and the social group he belongs to. How can an author foresee all this and adapt the text he writes accordingly? An author can work on two levels: explicit and implicit. The first concerns the prior study of the audience you are addressing, and there is nothing like direct experience . In this sense, the author's work is very similar to that of the anthropologist: this is why I wanted to reserve an entire chapter of my book for digital ethnography. The second level presumes a work of introspection , as many of the emotions, perceptions and values that.
Turning your gaze towards this horizon of shared images and emotions - which others, much better than me, have called collective imagination - can help create that inner space within which good words "happen". Writing has to do with listening more than saying. Writing has to do with listening more than saying CLICK TO TWEET #8. The Stories are fascinating temples in which to lead the reader and induce him to reflect. Who is the character of an engaging story and how is it constructed? Engaging stories exist if there are convincing characters. “Perfume”, my favorite book, would not be such without Jean-Baptiste Grenouille. Thus our texts change radically depending on which elements we choose to favor in the story and in the description of those who animate them.
The reader's approach to the text is influenced by his perceptions, his Brazil Phone Number values, his expectations and the social group he belongs to. How can an author foresee all this and adapt the text he writes accordingly? An author can work on two levels: explicit and implicit. The first concerns the prior study of the audience you are addressing, and there is nothing like direct experience . In this sense, the author's work is very similar to that of the anthropologist: this is why I wanted to reserve an entire chapter of my book for digital ethnography. The second level presumes a work of introspection , as many of the emotions, perceptions and values that.
Turning your gaze towards this horizon of shared images and emotions - which others, much better than me, have called collective imagination - can help create that inner space within which good words "happen". Writing has to do with listening more than saying. Writing has to do with listening more than saying CLICK TO TWEET #8. The Stories are fascinating temples in which to lead the reader and induce him to reflect. Who is the character of an engaging story and how is it constructed? Engaging stories exist if there are convincing characters. “Perfume”, my favorite book, would not be such without Jean-Baptiste Grenouille. Thus our texts change radically depending on which elements we choose to favor in the story and in the description of those who animate them.